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After a wet-bulb heat wave kills thousands in India, the UN forms an organization, the Ministry for the Future, intended to deal with climate change on behalf of future generations. They're not the only organization trying mitigate or fight or adapt to climate change; many other people and groups are working on the same thing, using everything from science to financial incentives to persuasion to terrorism.

We very loosely follow two very lightly sketched-in characters, an Irish woman who leads the Ministry for the Future and an American man whose life is derailed when he's a city's sole survivor of the Indian wet-bulb event, but the book has a very broad canvas and they're not protagonists in the usual sense of the word. The book isn't about individuals, it's about a pair of phenomena: climate change and what people do about it. The mission to save the future is the protagonist insofar as there is one.

This is the first KSR book I've actually managed to finish! (It's also the only one that I got farther in than about two chapters.) It's a very interesting, enlightening, educational book. I enjoyed reading it.

He's a very particular kind of writer, much more interested in ideas and a very broad scope than in characters or plot. That approach works very well for this book. The first chapter, which details the wet-bulb event, is a stunning, horrifying piece of writing. It's also the closest the book ever comes to feeling like a normal kind of novel. The rest of it is more like a work of popular nonfiction from an alternate timeline, full of science and economics and politics and projects.

I'm pretty sure Robinson researched the absolute cutting edge of every possible action that could possibly mitigate climate change, and wrote the book based on the idea of "What if we tried all of it?"

Very plausibly, not everything works. (In a bit of dark humor, an attempt to explain to billionaires why they should care about other people fails miserably.) Lots of people are either apathetic or actively fighting against the efforts, and there's a whole lot of death, disaster, and irreparable damage along the way. But the project as a whole succeeds, not because of any one action taken by any one group, but because of all of the actions taken by multiple groups. It's a blueprint for what we could be doing, if we were willing to do it.

The Ministry for the Future came out in 2020. Reading it now, its optimism about the idea that people would be willing to pull together for the sake of future generations makes it feel like a relic from an impossibly long time ago.

An Icelandic horror novella translated by Mary Robinette Kowal! I had no idea she's fluent in Icelandic.

Iðunn experiences unexplained fatigue and injuries when she wakes up, but is gaslit by doctors and offered idiotic remedies by co-workers. (Very relatable!) Meanwhile, she's being semi-stalked by her ex-boyfriend/co-worker, her parents refuse to accept that she's a vegetarian and keep serving her chicken, and the only living beings she actually likes are the neighborhood cats that she's allergic to.

After what feels like an extremely long time, it finally occurs to her that she might be sleepwalking, and some time after that, it finally occurs to her to video herself as she sleeps. At that point some genuinely scary/creepy/unsettling things happen, and I was very gripped by the story and its central mystery.

Is Iðunn going out at night and committing all the acts she's normally too beaten down or scared to do while sleepwalking or dissociating? Is she having a psychotic break? Is she a vampire? Is she possessed? Does it have something to do with a traumatic past event that's revealed about a third of the way in?

Other than the last question, I have no idea! The ending was so confusing that I have no idea what it was meant to convey, and it did not provide any answers to basically anything. I'm also not sure what all the thematic/political elements about the oppression of women had to do with anything, because they didn't clearly relate to anything that actually happened.

Spoilers!

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This was a miss for me. But I was impressed by the very fluent and natural-sounding translation.

Content note: A very large number of cats are murdered. Can horror writers please knock it off with the dead cats? At this point it would count as a shocking twist if the cat doesn't die.

A sensitive, well-written novel about a young girl coming of age at the end of the world. 11-year-old Julia lives in California suburbs with her doctor dad and fragile mom when the Earth's rotation begins to slow, and gradually gets slower and slower and slower.

Days and nights stretch out. Birds fall from the sky. Some people become severely ill, apparently from disruption of circadian rhythms. Crops fail. But life goes on, and Julia experiences all the ordinary milestones - a first love, her parents' marriage breaking up, becoming more independent - against a backdrop of larger loss and change. It

This is an apocalypse novel almost entirely without violence, apart from some light persecution of a scapegoated neighbor. There's some death, but it's all from natural or accidental causes. It's science fiction but marketed as literary fiction, and feels a lot more like the latter. The book has that melancholy, nostalgic, sepia vibe of looking back on times when you knew something was wrong but were young enough to be focused mostly on yourself, and knowing you'll never be that innocent ot experience the same time or world again.